Curators and artists say this is a time of overdue recognition but others are cautious about the longevity of the moment
At last year’s Venice Biennale, the pavilions were packed with indigenous art from around the world.
Artists from the Tupinambá community in Brazil sat alongside work by the late Rosa Elena Curruchich, who made pieces about Indigenous women in Guatemala. The Amazonian artist Aycoobo was celebrated, as were carvings by the Māori artist Fred Graham. The eventual winner of the Golden Lion – the event’s highest accolade – was the Indigenous Australian artist Archie Moore.
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