The immersive theatrical experience, which sees your seat move, shake and often spray water, has seen a record summer
During this long, hot, languishing summer, I have come to believe in one thing and one thing only: seeing Twisters in 4DX. The Oklahoma-set film, directed by Lee Isaac Chung, is about a 7/10 movie in 2D – a blockbuster sequel of sorts to the 1996 disaster flick, starring Glen Powell and Daisy Edgar-Jones as tornado chasers with modest chemistry. But in the immersive theatrical format known as 4DX, in which viewers are buffeted with literal wind and rain, Twisters becomes an unmissable 10/10 experience.
In 4DX, you feel every bump and jolt of a truck in an F5 gale, thanks to moving seats that, among other things, punch you in the back and tickle your ankles. When the characters clung to bolted theater seats during a final climactic storm, I too clung to my armrest, lest I get rattled off my wind-ripped chair. Each of the film’s tornado encounters drew loud cheers at my screening, as did the shot of Powell in a tight white T-shirt during a palpable drizzle. I emerged from Twisters with tangled hair and horizontal tear streaks; my friend lost her shoe. In 4DX, you do not just, in the words of Powell’s Tyler Owens, “ride” the storm. You are the storm.
More Stories
Quitting smoking may be easier with a smartwatch app, researchers say
Meta is killing off its own AI-powered Instagram and Facebook profiles
‘Godfather’ of artificial intelligence has a surprising blindspot | Letters